By Ashley Emrick, Special to the Sybaritic Singer Complete Vocal Fitness: A Singer’s Guide to Physical Training, Anatomy, and Biomechanics …
Album Review
in review: Cristina Spinei’s “Mechanical Angels”
By Gary Ruschman, Special to the Sybaritic Singer It’s easy to get a premiere. It can even be easy to build momentum as a composer and get …
in review: Underground System’s “What Are You”
By Cara Search, Special to The Sybaritic Singer On September 7, 2018, Underground System’s first full-length album, What Are You, hit the …
in review: Ken Thomson’s “Sextet”
Review by Megan Parsell, Special to the Sybaritic Singer Ken Thomson is a well-known musician and composer from Bang on a Can All-Stars and …
in review: Alexis Ffrench’s “Evolution”
By Anthony LaBat, Special to The Sybaritic Singer How do you begin to talk about an artist like Alexis Ffrench? As someone new to his …
in review: “Patriots…” an opera by Paul Pinto and Jeffrey Young
By Austin Franklin, Special to the Sybaritic Singer “Jeff Young and Paul Pinto, Patriots, Run for Public Office on a Platform of Swift and …
in review: “this place is actually the worst”
By Austin Franklin, Special to the Sybaritic Singer “this place is actually the worst”, is the latest eponymous album by the …
in review: NakedEye Ensemble Premiere Album “Storylines Crossing”
By Anthony LaBat, Special to the Sybaritic Singer NakedEye Ensemble, of Lancaster, PA releases their first record with Storylines …
Elizabeth A. Baker, Quadrivium: A Review
by Erin Marie Hoerchler, special to The Sybaritic Singer Elizabeth A. Baker refers to herself as “A New Renaissance Artist”, with a nod …