By Daniel Ketter, special to the Sybaritic Singer Many Americans growing up in the 1990’s were first introduced to Icelandic music through …
Album Review
in review: Minnesota Opera’s “Doubt”
By Ashley Emrick, special to the Sybaritic Singer Douglas J Cuomo’s opera based on John Patrick Shanley’s play Doubt tells the story of a …
in review: Sam Newsome’s “Sonic Journey: Live at the Red Room”
By Marcus Ballard, Special to the Sybaritic Singer In the late 1930s, American avant-garde composer John Cage began composing works for …
in review: Scott Miller’s “Ghost Layers” on New Focus Recordings
By James May, Special to the Sybaritic Singer Scott Miller is a veteran of his aesthetic. Over his career he’s developed a practice that …
in review: Haerim Elizabeth Lee’s “My Time is Now” on Innova Records
By Katie Heilman, Special to The Sybaritic Singer Violinist Haerim Elizabeth Lee and jazz pianist Alex Brown team up to create a new …
in review: Anaïs Maviel’s “in the garden”
By Austin Franklin, Special to The Sybaritic Singer Anaïs Maviel’s recent solo performance at Obey Convention (K’jipuktuk | Halifax, Nova …
in review: “In Search of Lost Beauty…”
By Austin Franklin, Special to the Sybaritic Singer New York-based Lithuanian-born composer Zibuokle Martinaityte (b. 1973) released the …
in review: Unheard-of//Dialogues
By Katie Heilman, special to The Sybaritic Singer New York-based ensemble Unheard-of//Ensemble releases its debut album, …
in review: Cassandra Venaglia and Dante Luna’s “La Figlia che Piange”
By Katie Heilman, Special to The Sybaritic Singer The latest collaboration between Los Angeles-based composers Cassandra Venaglia and Dante …