By Hannah Rice, special to the Sybaritic Singer Marfa Songs is the debut album of soprano Danielle Buonaiuto, acclaimed for her “terrific …
In Review: Rising w/ The Crossing on New Focus Recordings
by Katie Heilman, special to the Sybaritic singer In a time where live music is nearly impossible to make happen safely, Grammy …
6 Questions RE: Grossman Ensemble and Fountain of Time
We recently had the opportunity to speak with Augusta Read Thomas, Andrew Nogul, and Sam Pluta about the release of the first album, …
In Review: Osvaldo Golijov’s “Falling Out of Time”
by Philippa Kiraly, special to the Sybaritic Singer Prepared to be harrowed. Argentinian composer Osvaldo Golijov’s Falling Out Of Time is …
In Review: Quinsin Nachoff’s “Pivotal Arc”
By Alan Theisen, special to the Sybaritic Singer Quinsin Nachoff photo credit: Bo Huang Photography Quinsin Nachoff is no stranger to …
In Performance: LOL’s Concert of Telepresence
By James May, Special to the Sybaritic Singer If there’s any consistent theme to the realities of COVID-19, “forced adaptation” is likely …
In Review: Edward Smaldone’s “Once and Again”
by Gary Ruschman, special to the Sybaritic Singer Edward Smaldone’s Once and Again features chamber music scores that have seen a tweak or …
In Review: Belinds Reynolds “Secret”
By Austin Franklin, special to the Sybaritic Singer San Francisco-based composer Belinda Reynolds latest release, Secret, is a …
In Review: Gyda Valtysdottir’s “Epicycle II”
By Daniel Ketter, special to the Sybaritic Singer Many Americans growing up in the 1990’s were first introduced to Icelandic music through …