By Hannah Rice, Special to the Sybaritic Singer “Go find some rocks!” shouted Carrie Mallonee, director of the Walden Creative Musicians …
Austin Franklin
Dispatches from Four Corners x CPI, NYCEMF, SPLICE, and WAC 2021
By Austin Franklin, Special to the Sybaritic Singer This summer was a renaissance of new and live music for many people. It was an …
In Review: Ras Moshe Burnett and Dafna Naphtali’s “Fusebox”
by Daniel Galow, special to the Sybaritic Singer Fusebox is a fitting title for the new album by saxophonist Ras Moshe Burnett and …
In Review: Lara Solnicki’s “The One and the Other”
by Michaela Wright, special to the Sybaritic Singer Composer, poet, vocalist, visionary. Lara Solnicki, lauded for her “spellbinding voice” …
In Review: Will Liverman’s “Dreams of a New Day: Songs by Black Composers”
by Ariel Andrew, special to the Sybaritic Singer Two words immediately came to mind while listening to Will Liverman’s latest album: Black …
In Review: Meaghan Burke’s “A Few Concerns”
By Sam Crawford, special to the Sybaritic Singer Try Googling “grunge-cabaret songs” (yes, put it in quotes) and you’ll likely retrieve …
In Review: Laura Strickling’s “Confessions” on Yarlung Records
By Mikeila McQueston, special to the Sybaritic Singer Both well-curated and well-crafted, soprano Laura Strickling and pianist Joy …
In Review: Danielle Buonaiuto’s “Marfa Songs” on Starkland
By Hannah Rice, special to the Sybaritic Singer Marfa Songs is the debut album of soprano Danielle Buonaiuto, acclaimed for her “terrific …
In Review: Rising w/ The Crossing on New Focus Recordings
by Katie Heilman, special to the Sybaritic singer In a time where live music is nearly impossible to make happen safely, Grammy …