By Sam Crawford, special to the Sybaritic Singer Try Googling “grunge-cabaret songs” (yes, put it in quotes) and you’ll likely retrieve …
Austin Franklin
In Review: Laura Strickling’s “Confessions” on Yarlung Records
By Mikeila McQueston, special to the Sybaritic Singer Both well-curated and well-crafted, soprano Laura Strickling and pianist Joy …
In Review: Danielle Buonaiuto’s “Marfa Songs” on Starkland
By Hannah Rice, special to the Sybaritic Singer Marfa Songs is the debut album of soprano Danielle Buonaiuto, acclaimed for her “terrific …
In Review: Rising w/ The Crossing on New Focus Recordings
by Katie Heilman, special to the Sybaritic singer In a time where live music is nearly impossible to make happen safely, Grammy …
6 Questions RE: Grossman Ensemble and Fountain of Time
We recently had the opportunity to speak with Augusta Read Thomas, Andrew Nogul, and Sam Pluta about the release of the first album, …
In Review: Osvaldo Golijov’s “Falling Out of Time”
by Philippa Kiraly, special to the Sybaritic Singer Prepared to be harrowed. Argentinian composer Osvaldo Golijov’s Falling Out Of Time is …
In Review: Quinsin Nachoff’s “Pivotal Arc”
By Alan Theisen, special to the Sybaritic Singer Quinsin Nachoff photo credit: Bo Huang Photography Quinsin Nachoff is no stranger to …
In Performance: LOL’s Concert of Telepresence
By James May, Special to the Sybaritic Singer If there’s any consistent theme to the realities of COVID-19, “forced adaptation” is likely …
In Review: Edward Smaldone’s “Once and Again”
by Gary Ruschman, special to the Sybaritic Singer Edward Smaldone’s Once and Again features chamber music scores that have seen a tweak or …